Boza and Beéle Push Dancehall Energy Forward With “Hasta Abajo”

Boza and Beéle are bringing Caribbean heat to the dance floor with “Hasta Abajo,” a new single built around dancehall, Latin urban rhythm, and the kind of hypnotic repetition designed for late-night movement. The track is available April 24, 2026, arriving as both artists continue expanding their presence across the Latin music landscape. Early social posts around the release teased the collaboration ahead of its drop. 

“Hasta Abajo” is direct in its intention: a party record centered on sensuality, attraction, and freedom of expression. Driven by deep bass, a steady pulse, and minimal production choices, the song leans into a less-is-more formula that gives the rhythm room to breathe. Instead of overloading the track, Boza and Beéle use repetition and physical energy as the hook.

The collaboration works because both artists occupy different but complementary spaces. Beéle brings melodic versatility and a smooth Caribbean-pop sensibility, while Boza’s identity has long been connected to Panama’s urban movement and its fusion of dancehall and reggaeton influences. Together, they position “Hasta Abajo” as more than a club single, it becomes a reminder of how dancehall continues to shape the foundation of Latin urbano.

The video, directed by Santiago Díaz-Vence and Mambo x Kino, extends that energy into an underground nightclub setting. Boza and Beéle appear as the only male figures in a room dominated by female dancers, placing confidence, attitude, and movement at the center of the visual. The result gives the song a clear visual identity: nightlife, body language, and the dance floor as a space of control and release.

For Boza, the release follows “Caldero Panameño” with Pablo Mures and Andiex and builds on a catalog that includes “Hecha Pa’ Mí,” “Orión,” “Ella (Remix),” “Paris,” and “San BlaS.” His recent award recognition, including a Latin GRAMMY nomination and nominations at Premios Tu Música Urbano, Premios Juventud, and Premio Lo Nuestro, places him in a phase where every release helps define how far Panama’s urbano presence can continue traveling.

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The timing is also notable because Boza is set to participate in BIME Bogotá 2026, one of the key meeting points for the Ibero-American music industry. That matters because “Hasta Abajo” is not just a party record, it reflects the broader movement of Latin artists pulling from dancehall, Afro-Caribbean rhythm, and urbano minimalism to reach audiences beyond traditional genre lines.

LaMezcla’s perspective: “Hasta Abajo” feels trend-aligned, but not generic. It taps into the current appetite for records that feel physical first, songs that don’t need heavy lyrical complexity to make an impact because the rhythm, attitude, and visual language carry the message. For Boza, it reinforces his lane as an artist who can move between Panama’s urban roots and the wider Latin market. For Beéle, it keeps him connected to rhythm-driven collaborations that expand his reach without losing his melodic identity.

As Latin music continues stretching across dancehall, Afrobeat, reggaeton, and Caribbean-pop textures, collaborations like this show how the club record is still one of the genre’s strongest global languages. “Hasta Abajo” gives Boza and Beéle a record built for nightlife, social clips, DJ rotation, and playlist discovery, the kind of release that can grow from the dance floor outward.

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